A couple of years ago it was Mike Mepham, who worked with me for some years in the Wordsmiths days, back in the mid-1980s, and went on to fame amongst puzzle-fans as the person who brought the Sudoku craze to Britain. This time it’s a perhaps more famous friend, John Michell (see the obituary in the London newspaper The Independent).

The rather gushing obituary concentrates on his writings, and indeed it was his The View Over Atlantis – the ‘rather peculiar book’ that my parents brought home from a Bristol bookshop in 1969 – that really started me on my own earth-mysteries researches, building on previous schooldays-experiments with Tom Lethbridge’s work on dowsing. I’ll admit, though, that I found almost all his later work impenetrable to the point of incredulity – with the exception of a brilliantly acerbic little poem written in the aftermath of the unprovoked assault by police (the Battle of the Beanfield) at Stonehenge in 1985:

…but here’s the subtle dodge:
Stonehenge has now been proved to be / an old Masonic Lodge
…[so] they’re not just simple coppers / spoiling other people’s fun
they’re members of the Brotherhood / out worshipping the sun

But to me it wasn’t the writings that that meant so much: it was the man. One who saw the world through rose-tinted glasses – literally so. A cultured Etonian voice; a sculptured, elf-like face; a bird-like manner, quick, sharp, like a heron; an intense scholar’s intelligence balanced by bright wit and a warm, genuine inclusiveness – I was stunned when, at a book-launch of mine a few years back, he told me that he regarded me as one of his peers, because to me he had no real equal either then or now. An eccentric in the best sense of that term: one who stands aside from the usual centre, and applies that leverage to change the world.

I last met him a year ago, at the Megalithomania gathering in Glastonbury. (Reading the Megalithomania site, I’ve just realised I’m a bit late in this – John died almost a month ago, 24th April. His obit was in The Independent only yesterday, though, and that was the first I’d heard of it.) He’d always looked older than his age – back in the 60s and 70s he looked to be in his sixties at least, though I now realise he must then only have been in his mid-forties – but he was definitely looking old by then, yet still active, engaging, aware, alert to all the subtle nuances of ideas.

Yes, and a real ‘character’ too. The obit coyly states that he “joined the civil service as a Russian interpreter”, but it was more likely the intelligence-service, either MI5 or MI6: in other words, he was, bluntly, a spy – part of the same Cambridge clique that produced the double-agent Kim Philby. Yet though he may have come from the Establishment, he was certainly not of it: there is a happily apocryphal tale of him in one of his post-Cold War visits to Moscow, chatting to the security-guards at Vnukovno airport whilst rolling up a joint literally under their noses, lighting up and waving to them as he wandered out of the door surrounded by a cloud of that so-characteristic aroma. It undoubtedly never occurred to him to be concerned about its extreme illegality, and they probably never had a chance to notice: like the best of anarchists, he harmed no-one, yet he made up his own rules everywhere he went.

Oddly, I know almost nothing about his earlier life beyond his writings and research. The Independent obituary mentions his time at university and in the Royal Navy, but no mention of parents or childhood. In a very literal sense, he seems to have come from nowhere: it certainly felt like that when, as an awed, angst-ridden eighteen-year-old, I first met him in Glastonbury almost forty years ago.

Yet there’s a quote from him in the Independent obit that seems to sum up almost perfectly his life and his work:

The important discoveries about the past have been made not so much through the present refined techniques of treasure-hunting and grave-robbery, but through the intuition of those whose faith in poetry led them to scientific truth.

Life as poetry: that was John Michell. Like so many others, my own life has been enriched by his gifts and his presence: so my thanks, and fare you well.

Aim is to give a variant of the presentation I did for the Megalithomania conference in Glastonbury last year, but this time with much more of an emphasis on the underlying disciplines that make it possible to get useful results in working with ‘alternate realities’ and suchlike – in other words, to bring it into line with the book Disciplines of Dowsing: the quest for quality that I co-wrote last year with Liz Poraj-Wilzynska, and which we’re currently adapting for archaeography and archaeology.

Looking forward to being at the conference, especially as some old friends such as Paul Devereux will be there. See you there too, perhaps?